1 00:00:38,680 --> 00:00:42,440 Yes, hi, is Nick Soans around, please? It's Daniel Bala. 2 00:00:42,560 --> 00:00:46,560 Dan Bala from Nightingale Hart, I've been trying to get hold of him. 3 00:00:46,640 --> 00:00:49,240 Well, I'm Kelly Macdonald's agent so... 4 00:00:49,320 --> 00:00:52,080 No, I just wanted to touch base with the Birdwoman deal. 5 00:00:53,400 --> 00:00:55,280 Hello, Nightingale Hart. 6 00:00:55,720 --> 00:00:57,160 Can I take a message? 7 00:00:57,920 --> 00:01:00,280 Well, I mean, it's crucial. 8 00:01:00,360 --> 00:01:02,880 Yeah. No, Thursday's great. Shall we do that? 9 00:01:02,960 --> 00:01:04,720 We should do that. All right. 10 00:01:04,800 --> 00:01:06,280 Lunch, Benedict, Thursday. 11 00:01:06,400 --> 00:01:08,720 Oh, lunch with Phoebe Waller-Bridge on Thursday. 12 00:01:08,840 --> 00:01:10,680 Er, yeah. I've read the script. 13 00:01:10,760 --> 00:01:13,480 No, I think it's great. I do. 14 00:01:13,560 --> 00:01:15,440 I mean, it's Russell obviously, so... 15 00:01:15,520 --> 00:01:18,200 -Well, yeah, exactly. -I can move Phoebe to next week. 16 00:01:18,280 --> 00:01:20,040 Er, yeah. Okay. Well, that's great. 17 00:01:20,120 --> 00:01:23,400 I'll get Chloe to book and confirm. And we'll talk all then. Yeah. 18 00:01:23,480 --> 00:01:25,040 Okay. Bye, bye, bye. 19 00:01:25,120 --> 00:01:27,200 -Move Phoebe Waller-Bridge? -No, I just... 20 00:01:27,280 --> 00:01:28,280 Are you mad? 21 00:01:29,320 --> 00:01:30,520 Yes, hi, yes. 22 00:01:31,240 --> 00:01:33,360 Okay, how long is it gonna be? 23 00:01:33,440 --> 00:01:36,000 Okay, I'll wait. No, I'll wait. Thanks. 24 00:01:36,440 --> 00:01:38,600 He knows I'm calling. Okay, fine. 25 00:01:40,120 --> 00:01:42,600 -What about Margaux Martorana? -Margaux Martorana? 26 00:01:42,680 --> 00:01:45,360 -Right. -Yeah. She's really hard to get hold of? 27 00:01:45,440 --> 00:01:47,560 Yes. That's why I want to get hold of her. 28 00:01:47,680 --> 00:01:49,840 She doesn't have an agent or a publicist. 29 00:01:49,920 --> 00:01:52,320 -Tried reaching her on Twitter. -Yes. And? 30 00:01:52,400 --> 00:01:53,480 She's not even on Twitter. 31 00:01:53,560 --> 00:01:55,640 She's a journalist, a war correspondent. 32 00:01:55,720 --> 00:01:58,760 I've actually seen her on the news. She's not Mother Teresa. 33 00:01:58,880 --> 00:01:59,720 No. 34 00:01:59,800 --> 00:02:02,320 -There's gonna be a way of getting to her. -What should I do? 35 00:02:02,400 --> 00:02:05,080 I think you should find out what that way is and get to her. 36 00:02:05,200 --> 00:02:06,720 -Okay. -How's that for an idea? 37 00:02:06,800 --> 00:02:08,160 -Yeah. -So great. 38 00:02:12,000 --> 00:02:15,600 Hi, Nick, how are you? Good, thanks. Good. How are you? 39 00:02:15,720 --> 00:02:18,160 I just wanted to touch base on the Birdwoman deal. 40 00:02:18,280 --> 00:02:20,240 'Cause I know Kelly is really excited. 41 00:02:20,320 --> 00:02:21,600 Right. 42 00:02:22,120 --> 00:02:24,600 Right. Wait, this is a joke, right? You're joking? 43 00:02:24,720 --> 00:02:26,680 Right. So wait... Whoa, whoa, whoa! 44 00:02:26,760 --> 00:02:27,880 Fuck, fuck, fuck! 45 00:03:28,960 --> 00:03:31,480 After the break, Kelly Macdonald will be here 46 00:03:31,560 --> 00:03:34,320 revealing all about her surprising new project. 47 00:03:35,600 --> 00:03:37,880 Okay, can we please turn around? 48 00:03:38,680 --> 00:03:41,160 -I'm really sorry. I hate being late. -It's fine. 49 00:03:41,240 --> 00:03:44,880 -They're digging up half of London. -Honestly, you'll be absolutely fine. 50 00:03:45,080 --> 00:03:48,200 -Sorry, do you mind if I just check? -Okay. It's here somewhere. 51 00:03:48,280 --> 00:03:51,560 -We're comin' out of VT in 30 seconds. - Okay. Thank you. 52 00:03:51,640 --> 00:03:53,160 Sorry, Kelly. Could you just look straight ahead? 53 00:03:53,240 --> 00:03:54,760 -I'm sorry. -Thank you. 54 00:03:54,840 --> 00:03:57,240 If you're ready, Kelly. -Okay. How do they feel? 55 00:03:57,320 --> 00:04:00,080 -That's great. Thanks. - That's great, thanks. 56 00:04:01,320 --> 00:04:02,640 Okay. 57 00:04:02,720 --> 00:04:05,560 -Right. You look fabulous. - Right. 58 00:04:09,160 --> 00:04:12,040 -Oh, God, sorry, I better turn this off. - 59 00:04:15,040 --> 00:04:16,720 -Hey, Dan. -Are you in the chair? 60 00:04:16,800 --> 00:04:19,000 No, I'm on set. I'm just about to go on. 61 00:04:19,120 --> 00:04:21,920 Great, that's great. Just a thought, 62 00:04:22,040 --> 00:04:25,800 maybe now might not be the best time to start talking about Birdwoman. 63 00:04:25,920 --> 00:04:27,800 Why? -No, nothing. 64 00:04:27,920 --> 00:04:29,920 -Tell me. - Twenty seconds, Kelly. 65 00:04:30,040 --> 00:04:32,440 -Hi. - No, it's fine, it's all good. 66 00:04:32,520 --> 00:04:34,360 Fifteen seconds. -Dan, I've got to go. 67 00:04:34,440 --> 00:04:36,600 Okay, coming up back out of VT 68 00:04:36,680 --> 00:04:41,800 -in ten, nine, eight, seven, six, five... -Fuck. Great. 69 00:04:41,920 --> 00:04:44,680 Four, three... - 70 00:04:44,920 --> 00:04:47,360 So, let's talk about what's next for you. 71 00:04:47,440 --> 00:04:48,240 Yeah. 72 00:04:48,360 --> 00:04:51,720 We've been hearing these rumors about Birdwoman. 73 00:04:51,800 --> 00:04:53,120 Yeah, no... 74 00:04:55,760 --> 00:04:59,360 Okay, and anything that you can tell us about that? 75 00:05:00,320 --> 00:05:05,920 No, I mean, yeah. The... I mean, the thing is, it's obviously... 76 00:05:06,000 --> 00:05:10,360 I mean, you know, it's something. 77 00:05:10,440 --> 00:05:11,760 Right. - Obviously. 78 00:05:11,800 --> 00:05:14,920 Yeah. But, I don't really... -Jesus Christ. 79 00:05:15,040 --> 00:05:16,320 -Too old? -I know. 80 00:05:16,360 --> 00:05:18,520 -No! -Man, for fuck's sake. 81 00:05:18,600 --> 00:05:19,640 She's so lovely. 82 00:05:19,720 --> 00:05:21,680 Jay Weinstock's got this thing about the franchise. 83 00:05:21,760 --> 00:05:23,800 Their core audience is 15-year-old girls. 84 00:05:23,920 --> 00:05:26,160 And Kelly's 45, she's not a girl. 85 00:05:26,240 --> 00:05:28,120 -She's a girl. -It's ridiculous. 86 00:05:28,200 --> 00:05:30,280 -Okay, Kelly doesn't know yet? -Well, no. 87 00:05:30,360 --> 00:05:31,800 What can I say to her? 88 00:05:31,880 --> 00:05:33,600 -I can't lie to her obviously. -No. 89 00:05:33,680 --> 00:05:36,320 -But obviously I can't tell her the truth. - No. 90 00:05:36,400 --> 00:05:37,800 Oh. Thanks, Julia. 91 00:05:37,880 --> 00:05:38,880 You didn't go out specially for this, did you? 92 00:05:38,960 --> 00:05:39,800 No. 93 00:05:39,920 --> 00:05:42,080 -I thought the deal was done. - Yes. 94 00:05:42,160 --> 00:05:43,600 -Well, I mean... -Okay, so... 95 00:05:43,720 --> 00:05:45,800 No. It's done, it's all good. It's just, you know, not done. 96 00:05:45,880 --> 00:05:47,720 It's a franchise. It's Birdwoman for God's sake. 97 00:05:47,800 --> 00:05:49,160 -Yes, I know. -It's Kelly Macdonald. 98 00:05:49,240 --> 00:05:50,080 I'll deal with it, okay? 99 00:05:50,160 --> 00:05:51,360 -We cannot... - 100 00:05:51,480 --> 00:05:53,200 -Mathias! -Jesus, can you please 101 00:05:53,280 --> 00:05:54,880 not have dogs in this meeting? 102 00:05:54,960 --> 00:05:57,120 He likes meetings. Get down, no humping. 103 00:05:57,200 --> 00:05:59,000 I can't leave him in my office. He gets bored. 104 00:05:59,080 --> 00:06:00,080 He's a dog. 105 00:06:00,160 --> 00:06:02,000 He can go out and sit with Zoe at the reception. 106 00:06:02,080 --> 00:06:04,800 -You like Zoe, don't you? -Zoe can't stand him. She hates dogs. 107 00:06:04,880 --> 00:06:07,800 Take him out and explain to her, would you, please, Chloe? 108 00:06:07,880 --> 00:06:09,600 -Me? -That's a dear, he likes you. 109 00:06:09,680 --> 00:06:10,640 Yes, but... 110 00:06:11,160 --> 00:06:13,000 Right. Okay. 111 00:06:13,960 --> 00:06:15,280 Come here. 112 00:06:15,360 --> 00:06:17,960 -No, no, come here. 113 00:06:18,960 --> 00:06:20,840 -Right, okay... -Bye, Mathias! 114 00:06:20,920 --> 00:06:23,800 -What happened to your nose? -Nothing. It's fine. 115 00:06:23,880 --> 00:06:25,600 Okay, so, Richard's running late. 116 00:06:25,680 --> 00:06:28,320 -Surely not. -Why he insists on driving here, 117 00:06:28,400 --> 00:06:30,360 or being driven here obviously. I mean, God knows. 118 00:06:30,440 --> 00:06:31,960 -Well, because he can. -Yes. Right. 119 00:06:32,040 --> 00:06:35,600 Well, before he gets here we should discuss next Friday. 120 00:06:35,680 --> 00:06:36,520 Yes, good. 121 00:06:36,600 --> 00:06:38,760 He doesn't want any sort of fuss obviously. 122 00:06:38,840 --> 00:06:40,320 No, of course he doesn't. 123 00:06:40,400 --> 00:06:43,160 A lifetime achievement award is pretty much a rehearsal for our own funeral. 124 00:06:43,280 --> 00:06:45,800 He's modest. He'll hate every minute of it. 125 00:06:45,880 --> 00:06:47,640 Well, let's face it, we all will. 126 00:06:48,240 --> 00:06:50,120 So, that was a joke, obviously. 127 00:06:50,200 --> 00:06:53,320 Um, now I believe Stella has been hatching some sort of plan. 128 00:06:53,400 --> 00:06:54,880 -Yes. -Oh, goody. 129 00:06:54,960 --> 00:06:57,720 So, officially, it's six o'clock at the Dorchester, 130 00:06:57,800 --> 00:07:01,840 -but we've told Richard and Diane... -Sorry, sorry, sorry. 131 00:07:01,920 --> 00:07:05,600 Never attempt to drive along the Euston Road at 9:00 in the morning. No! 132 00:07:05,680 --> 00:07:06,720 It's unconscionable. 133 00:07:06,800 --> 00:07:09,280 -That's why most of us take the Tube. -Very wise. 134 00:07:09,400 --> 00:07:11,680 Julia, I don't suppose there's a chance of a cup of tea, is there? 135 00:07:11,760 --> 00:07:12,720 Yes, of course. 136 00:07:12,800 --> 00:07:14,240 You are a darling. 137 00:07:26,720 --> 00:07:29,440 -Oh, thanks, Julia. Great. -Yes. 138 00:07:30,200 --> 00:07:32,400 -So, I had an email... -Well, hang on. 139 00:07:32,480 --> 00:07:33,800 -What's this? - Yes. 140 00:07:33,880 --> 00:07:36,720 -No, it isn't. It is. -Yeah, no, it's just... 141 00:07:36,800 --> 00:07:38,760 -Portuguese custard tart. -They're quite nice today. 142 00:07:38,840 --> 00:07:40,080 -They don't always... - 143 00:07:40,160 --> 00:07:42,840 Really, you mustn't do this. You'll end up killing me. 144 00:07:42,920 --> 00:07:43,880 No, I won't. 145 00:07:44,480 --> 00:07:45,440 Mmm-mmm. 146 00:07:45,680 --> 00:07:48,000 Yes. So, I had an email from Alison at the PMG. 147 00:07:48,080 --> 00:07:50,320 They want a seating plan for the table for Friday. 148 00:07:50,800 --> 00:07:52,840 -Really? -Yes. So, I've done one. 149 00:07:52,920 --> 00:07:53,800 Oh, right, right. 150 00:07:53,880 --> 00:07:56,240 I've put you next to your wife, Charlotte, because she's your wife. 151 00:07:56,880 --> 00:07:58,560 Yes, but I thought you might want to look at that. 152 00:07:59,960 --> 00:08:00,840 Right. 153 00:08:03,720 --> 00:08:05,280 Hello. Nightingale Hart. 154 00:08:12,640 --> 00:08:15,320 -Richard. Do you have a minute? -Of course. 155 00:08:15,400 --> 00:08:18,160 Do you mind taking a look at something? 156 00:08:18,280 --> 00:08:22,600 "Margaux Martorana." -She's a war correspondent. French. 157 00:08:22,680 --> 00:08:24,080 Yes, I see. 158 00:08:24,160 --> 00:08:25,320 Eight Days. 159 00:08:25,400 --> 00:08:27,480 It's about her time under siege in Syria. 160 00:08:27,560 --> 00:08:28,720 Right. 161 00:08:28,800 --> 00:08:32,240 I've been looking for the right project to launch the production arm with. 162 00:08:32,360 --> 00:08:34,400 Of course. You think you've found it. 163 00:08:34,600 --> 00:08:35,760 It's incredible. 164 00:08:35,880 --> 00:08:38,400 -She is incredible. -Well, how exciting. 165 00:08:38,480 --> 00:08:40,400 -Yeah. -Can't wait to read it. 166 00:08:40,480 --> 00:08:41,880 Thank you. Thanks. 167 00:08:41,960 --> 00:08:45,160 A Nightingale Hart production arm. Need to think of a name! 168 00:08:45,240 --> 00:08:48,720 -I've had some thoughts on that. -Of course, you have. 169 00:08:50,400 --> 00:08:52,760 Nick. Hi, it's Jonathan Nightingale. Hope you're well. 170 00:08:52,880 --> 00:08:54,760 Wonder if you might give me a call when you get a moment? 171 00:08:54,880 --> 00:08:57,520 It'd be good to clear out this Kelly Macdonald thing. 172 00:08:57,640 --> 00:08:59,520 Okay, well, speak soon. Lots of love. 173 00:09:02,000 --> 00:09:02,880 Jonathan. 174 00:09:03,000 --> 00:09:05,600 -Jonathan! -Oh. Simon. 175 00:09:05,640 --> 00:09:07,840 -Ah! God, you look well. -Oh, do I? 176 00:09:07,880 --> 00:09:10,520 You've got younger. Doesn't he look great? 177 00:09:10,640 --> 00:09:13,280 You look like a man who wakes up in the morning, 178 00:09:13,360 --> 00:09:18,280 looks at the world around him and says, "You know what? This'll do just fine." 179 00:09:19,880 --> 00:09:23,080 Great. I'm so sorry. Would you just give me a second? 180 00:09:23,160 --> 00:09:24,640 -Absolutely. -Thanks. 181 00:09:35,200 --> 00:09:36,160 Come in. 182 00:09:36,240 --> 00:09:37,640 Yes. Sorry if you're busy. 183 00:09:37,720 --> 00:09:38,960 Who, me? 184 00:09:39,040 --> 00:09:41,320 I sit in here waiting for stuff to happen. 185 00:09:41,400 --> 00:09:44,360 -Simon Gould is out in reception. -Yeah. So I gather. 186 00:09:44,520 --> 00:09:45,520 -Why? -Why? 187 00:09:45,640 --> 00:09:47,360 -You can't do this, Dad. -Do what? 188 00:09:47,480 --> 00:09:50,520 -Ugh, um... -Don't put that face on, Jonathan, please. 189 00:09:50,640 --> 00:09:53,200 This is not the 1980s anymore. 190 00:09:53,280 --> 00:09:55,880 -Yes, so you keep saying. -There comes a time 191 00:09:55,960 --> 00:09:59,240 when you have to say to the Simon Goulds of this world, "I'm sorry, Simon. 192 00:09:59,360 --> 00:10:02,080 "We've done everything we can for you over the years, but you've let us down 193 00:10:02,200 --> 00:10:04,120 "every single time, without fail. 194 00:10:04,200 --> 00:10:07,320 "You've made yourself and us look foolish again and again. 195 00:10:07,440 --> 00:10:08,400 "I'm really sorry. 196 00:10:08,480 --> 00:10:11,960 "There's nothing more we can do for you. This story is now at an end." 197 00:10:13,280 --> 00:10:14,360 So. 198 00:10:14,440 --> 00:10:16,880 -If the name on the door means anything... -Dad. 199 00:10:16,960 --> 00:10:19,000 -Thirty-five years ago... -Not the handshake. 200 00:10:19,120 --> 00:10:21,640 I saw him in a student production of Hamlet. 201 00:10:21,760 --> 00:10:22,840 I'm gonna leave the room. 202 00:10:22,960 --> 00:10:25,280 I went up to him afterwards and I shook him... 203 00:10:25,360 --> 00:10:26,760 I'm sorry. That's it. 204 00:10:38,200 --> 00:10:39,400 Simon... 205 00:10:40,040 --> 00:10:42,120 Oh, my God. 206 00:10:42,320 --> 00:10:43,520 How are you? 207 00:10:43,640 --> 00:10:45,600 Richard. Richard. 208 00:10:45,640 --> 00:10:46,600 Mwah! 209 00:10:46,640 --> 00:10:48,120 Oh, God! You smell good. 210 00:10:49,440 --> 00:10:50,760 Isn't he stupendous? 211 00:10:52,320 --> 00:10:54,880 All of a sudden, the world's a better place. 212 00:10:54,960 --> 00:10:56,520 Follow. 213 00:10:57,000 --> 00:10:59,360 Good to see you. - Remember the office? 214 00:10:59,440 --> 00:11:01,440 Look different? - I do. 215 00:11:08,440 --> 00:11:10,160 -Sorry. -No, no. 216 00:11:14,320 --> 00:11:16,720 -I go back for check-ups obviously. -Yes. 217 00:11:16,800 --> 00:11:22,400 But so far, might have been lucky. God knows why. 218 00:11:23,120 --> 00:11:24,040 Anyway. 219 00:11:24,120 --> 00:11:26,440 For what it's worth, I wouldn't have known if you hadn't told me. 220 00:11:26,520 --> 00:11:29,600 -Don't, man. Don't, please. -I mean it. You look in great shape. 221 00:11:29,680 --> 00:11:32,280 Nothing like a bit of cancer to concentrate the mind. 222 00:11:32,520 --> 00:11:34,880 Sober for 18 months now. 223 00:11:34,960 --> 00:11:36,600 That's it. It's over. 224 00:11:37,760 --> 00:11:41,520 One day at a time, my name is Simon, the whole fucking lot. 225 00:11:41,720 --> 00:11:43,600 I'm very pleased to hear that. 226 00:11:45,520 --> 00:11:46,960 Anyway... 227 00:11:49,280 --> 00:11:50,960 I sit before you... 228 00:11:53,560 --> 00:11:55,840 I sit before you, 229 00:11:55,920 --> 00:11:58,400 with no right to ask, God knows after everything. 230 00:12:01,680 --> 00:12:03,480 You'll never know the shame. 231 00:12:51,960 --> 00:12:53,680 Hello, Nightingale Hart. 232 00:12:53,760 --> 00:12:55,600 Oh. Hi, Kelly, yes. 233 00:12:56,480 --> 00:12:59,160 No, I'm sorry, it doesn't look like Dan's in his office at the moment. 234 00:12:59,240 --> 00:13:02,520 Can I get him to call you back, or... Okay, I'll tell him. 235 00:13:03,080 --> 00:13:05,040 Okay, sure, yeah. Bye. 236 00:13:11,640 --> 00:13:14,920 I'm sorry, okay. - So, what are you telling me? 237 00:13:15,040 --> 00:13:16,240 I was in a hurry for the post, 238 00:13:16,320 --> 00:13:18,800 and I put the wrong labels on the wrong parcels. 239 00:13:18,880 --> 00:13:20,160 -The wrong way round. -Yeah. No. 240 00:13:20,240 --> 00:13:23,640 I'm getting the picture. Okay. So, just to be clear. Just so I know. 241 00:13:23,720 --> 00:13:26,480 We've sent... No, no, I've sent Phoebe Waller-Bridge, personally, 242 00:13:26,600 --> 00:13:29,080 as a good luck gift, from me to her, on her debut feature film, 243 00:13:29,200 --> 00:13:32,520 -a cake with Go Maggie Go, iced on top. -Erm, basically, yes. 244 00:13:32,640 --> 00:13:34,840 Basically, yes. Right. Okay. 245 00:13:34,920 --> 00:13:37,680 I was looking after Mathias, too. That's not my job either. 246 00:13:37,760 --> 00:13:40,680 Just purely out of interest, not like I give s flying fuck, 247 00:13:40,760 --> 00:13:42,760 what did we end up sending to Maggie Smith? 248 00:13:42,840 --> 00:13:44,600 It's not fair. He was humping my leg all the time. 249 00:13:44,680 --> 00:13:46,440 Legally, that's a form of abuse. 250 00:13:46,520 --> 00:13:50,720 Actually, I am actually quite curious now, what did we end up sending her? 251 00:13:50,800 --> 00:13:52,240 - 252 00:13:52,320 --> 00:13:54,480 -Look. I mean... -Tell me it isn't true. Please... 253 00:13:55,640 --> 00:13:57,040 Just tell me. 254 00:14:03,280 --> 00:14:04,360 -Hi. -Hi. 255 00:14:04,440 --> 00:14:06,960 -Can I help you? -Is it possible to see Jonathan? 256 00:14:07,360 --> 00:14:09,040 -Jonathan. -Jonathan Nightingale, yes. 257 00:14:09,160 --> 00:14:11,720 -You've got an appointment? -Well, no. 258 00:14:11,800 --> 00:14:13,720 Right. I'm sorry. We don't do walk-ins. 259 00:14:13,800 --> 00:14:15,720 -I know. -It's not like a hairdressers. 260 00:14:15,800 --> 00:14:18,640 -You can leave a CV if you want to. -I'm not an actress. 261 00:14:19,200 --> 00:14:21,880 -If you could just say that Misha's here. -Misha? 262 00:14:22,080 --> 00:14:25,840 Yes. If you could just tell him that. 263 00:14:28,160 --> 00:14:29,480 Right. Okay. 264 00:14:33,440 --> 00:14:34,840 Nipple pasties? 265 00:14:34,920 --> 00:14:36,360 -Yes. -Oh, my God. 266 00:14:36,440 --> 00:14:39,320 -From Agent Provocateur, yes. -Jesus fucking Christ. 267 00:14:39,400 --> 00:14:40,360 I don't need this. 268 00:14:40,440 --> 00:14:43,000 -I had to look them up on Google. -I've got a life. 269 00:14:43,080 --> 00:14:45,440 -Marvin's just bought a canal boat. -Marvin? 270 00:14:45,560 --> 00:14:47,240 -First of all... -I've had enough. 271 00:14:47,320 --> 00:14:50,160 -You can't leave until I fire... -You can't. I'm leaving. 272 00:14:50,240 --> 00:14:52,680 -Secondly, you're fired. -I should have done this ages ago. 273 00:14:52,760 --> 00:14:54,160 There's an order to these things. 274 00:14:55,320 --> 00:14:59,440 I'm gonna get up late, drink cider and go all the way up the Kennet and Avon. 275 00:14:59,560 --> 00:15:00,480 -What? -Oh, my God. 276 00:15:00,560 --> 00:15:01,960 I've never felt so happy. 277 00:15:03,400 --> 00:15:04,280 Goodbye. 278 00:15:07,680 --> 00:15:08,640 Right. 279 00:15:08,760 --> 00:15:10,480 -Right, so it's a canal. -Fuck. 280 00:15:10,560 --> 00:15:11,760 That's disappointing. 281 00:15:11,880 --> 00:15:13,840 That's great, isn't it? No fucking assistant. 282 00:15:14,200 --> 00:15:16,560 I fired her by the way, totally fired her. 283 00:15:16,640 --> 00:15:20,280 The one thing that Phoebe knows is that her agent is some fuckwit. 284 00:15:20,360 --> 00:15:23,240 -That's before we get to Maggie. -She's mad anyway. 285 00:15:23,320 --> 00:15:25,120 You don't mean that. You're upset. 286 00:15:25,360 --> 00:15:27,160 -I think she maybe did. -Shut up, Ollie. 287 00:15:27,280 --> 00:15:28,120 Yes. 288 00:15:28,600 --> 00:15:30,360 She might not actually think that. 289 00:15:33,760 --> 00:15:34,760 Excuse me? 290 00:15:35,440 --> 00:15:38,000 Phoebe Waller-Bridge. She might not think you're a fuckwit. 291 00:15:40,720 --> 00:15:45,000 So, her character in the film has this fantasy where she's Margaret Thatcher. 292 00:15:45,080 --> 00:15:48,480 Like, it takes over her life for a bit. I heard it in a podcast. 293 00:15:48,800 --> 00:15:52,680 So actually, the cake could end up being a pretty cool present. 294 00:15:56,640 --> 00:15:59,560 Sorry, it's just... I really love Phoebe Waller-Bridge. 295 00:15:59,640 --> 00:16:00,640 Right. 296 00:16:01,720 --> 00:16:03,760 -And who the hell are you? -Me? 297 00:16:03,840 --> 00:16:05,160 -Yeah. -Um, I'm Misha. 298 00:16:05,240 --> 00:16:06,480 -Misha? -Yes. 299 00:16:07,160 --> 00:16:10,200 -I mean, I'm just here. -Yes. Evidently. 300 00:16:10,280 --> 00:16:13,040 I just, um, came in to ask about jobs. 301 00:16:13,120 --> 00:16:14,400 -Jobs? -Yes. 302 00:16:14,480 --> 00:16:16,560 -What kind of jobs? -Well... 303 00:16:16,640 --> 00:16:19,040 Don't suppose you want a job as an assistant, do you, Misha? 304 00:16:22,640 --> 00:16:24,760 Yes. I do. 305 00:16:42,480 --> 00:16:44,440 I can't face it. What can I say to her? 306 00:16:45,120 --> 00:16:47,280 She's an actress, she knows how it works. 307 00:16:47,360 --> 00:16:49,400 You don't know Kelly. I can't do that to her. 308 00:16:49,480 --> 00:16:51,760 If you want to be a romantic, you are in the wrong job. 309 00:16:51,840 --> 00:16:54,720 You're becoming obsessed with this Margaux person. 310 00:16:54,880 --> 00:16:56,400 That's absurd. 311 00:16:56,920 --> 00:16:57,800 Sorry. 312 00:16:58,040 --> 00:16:59,760 -Hi. -Hi. 313 00:17:04,040 --> 00:17:06,400 -God, I love this place. -Yes, I know you do. 314 00:17:06,920 --> 00:17:09,040 Anyway, I'm not trying to be a romantic. 315 00:17:09,320 --> 00:17:12,000 There's more to life than a series of one night stands 316 00:17:12,080 --> 00:17:14,280 based on physical attraction with people you're never gonna meet again. 317 00:17:15,240 --> 00:17:18,440 Is there, though? Really? Are you sure? 318 00:18:16,160 --> 00:18:18,080 -Hello. -Hey. 319 00:18:18,320 --> 00:18:21,040 -Simon. Simon... -Yes, yes. Hi, Simon, yes. 320 00:18:21,080 --> 00:18:24,000 -Nice to see you. How are you? -I'm terrifically well, thank you. 321 00:18:25,080 --> 00:18:27,320 It's very nice to see you. If I'm allowed to say that. 322 00:18:27,520 --> 00:18:30,320 Cool. So, we're running a bit late, I'm afraid. 323 00:18:30,480 --> 00:18:31,720 Absolutely. 324 00:18:31,800 --> 00:18:34,000 -Sorry. -No. Not to worry. 325 00:18:34,080 --> 00:18:36,560 -There's coffee, tea, water, whatever. -Fabulous. 326 00:18:37,280 --> 00:18:38,640 If you wanna... 327 00:18:39,280 --> 00:18:41,480 Yes, absolutely. Thank you. 328 00:18:42,720 --> 00:18:44,520 -Hi. -Hello. 329 00:19:20,680 --> 00:19:21,920 Excellent. 330 00:19:27,080 --> 00:19:30,200 Just photocopying basically is so fun. 331 00:19:30,280 --> 00:19:31,240 Yeah. 332 00:19:31,320 --> 00:19:35,480 Okay, so... That's Stella. She's the Hart part of Nightingale Hart. 333 00:19:35,560 --> 00:19:38,640 Her clients are all Sirs or Dames, sometimes both. 334 00:19:38,720 --> 00:19:41,040 -We call her list the National Treasury. -Cool. 335 00:19:41,080 --> 00:19:42,800 Um, and that's Richard. 336 00:19:43,000 --> 00:19:44,560 -As in Richard Nightingale. -Yes. 337 00:19:44,640 --> 00:19:46,720 He created all this in the last century or something. 338 00:19:46,800 --> 00:19:47,680 Yeah. 339 00:19:47,760 --> 00:19:49,920 -He's lovely. He's like everyone's dad. -Right. 340 00:19:50,000 --> 00:19:52,560 -But he actually is Jonathan's dad. -Yes. 341 00:20:05,520 --> 00:20:06,960 And this is us. 342 00:20:07,040 --> 00:20:09,080 Oh, Julia. This is Misha. 343 00:20:09,200 --> 00:20:10,240 -Hi. -Yep. 344 00:20:10,320 --> 00:20:12,000 Rebecca's new assistant. -Yeah. 345 00:20:12,080 --> 00:20:14,080 Julia looks after Jonathan's needs. 346 00:20:14,160 --> 00:20:15,440 Right. Okay. 347 00:20:15,520 --> 00:20:18,080 -Ooh! Now, that sounds a bit sexual. -It doesn't. 348 00:20:18,160 --> 00:20:20,960 -No. -Sorry, it's just... It came out... 349 00:20:21,040 --> 00:20:23,920 Oh, Jonathan, this is Misha. Rebecca's new assistant. 350 00:20:29,560 --> 00:20:30,560 Hi. 351 00:20:37,240 --> 00:20:38,400 Kelly. Hi. 352 00:20:40,560 --> 00:20:41,720 Hi, Kelly. 353 00:20:42,800 --> 00:20:43,800 Kelly, hi. 354 00:20:43,880 --> 00:20:44,960 Hi. -Hi. 355 00:20:45,040 --> 00:20:47,680 Have you spoken to Kelly yet? - No. 356 00:20:47,760 --> 00:20:49,160 No. -No, I haven't. 357 00:20:49,240 --> 00:20:50,800 -I think you need a plan. -I know that. 358 00:20:50,960 --> 00:20:52,200 -I'm quite happy to help you. -I know that. 359 00:20:52,320 --> 00:20:53,960 Don't need people to tell me. 360 00:20:54,080 --> 00:20:56,560 Yes, you do. She's just arriving in a cab outside. 361 00:20:56,680 --> 00:20:57,640 What? 362 00:21:00,520 --> 00:21:02,160 -The key thing really... -Fuck! 363 00:21:08,040 --> 00:21:09,880 -Oh, Dan. Kelly... -I'm not here. 364 00:21:09,960 --> 00:21:11,920 But what am I supposed to... 365 00:21:29,680 --> 00:21:31,760 Julia, how the fuck does this thing work? 366 00:21:31,880 --> 00:21:33,800 -Weren't you... -Just help me, please. 367 00:21:33,880 --> 00:21:35,680 -You have to press the... - 368 00:21:35,760 --> 00:21:36,560 For fuck's sake. 369 00:21:41,200 --> 00:21:42,240 -Hi. -Hi. 370 00:21:42,320 --> 00:21:43,160 Hi. 371 00:21:53,640 --> 00:21:56,920 -Okay, so, anyway. -I didn't plan it like this. 372 00:21:57,000 --> 00:21:58,960 It just happened, like it was fate. 373 00:21:59,040 --> 00:22:00,160 -Fate? -Yes. 374 00:22:00,240 --> 00:22:02,360 -What were you doing here? -I came to see you. 375 00:22:02,440 --> 00:22:04,800 Out of the blue? You should have called me first. 376 00:22:04,920 --> 00:22:06,920 I was worried if I called you, you wouldn't see me. 377 00:22:07,040 --> 00:22:09,840 -You should have given me the option. -I haven't got your number? 378 00:22:09,960 --> 00:22:12,160 -Right. That's a different issue. -I've decided. 379 00:22:12,240 --> 00:22:13,640 I've done a lot of thinking. 380 00:22:14,600 --> 00:22:18,040 -I want to be in this industry. - Well, brilliant. 381 00:22:18,160 --> 00:22:19,840 I've been saving up. I've found somewhere to rent. 382 00:22:19,920 --> 00:22:21,160 -Somewhere to rent? -Yes. 383 00:22:21,240 --> 00:22:23,160 Here? In London? 384 00:22:23,240 --> 00:22:24,200 In Hackney, yes. 385 00:22:24,280 --> 00:22:27,080 -Look, if it's money you want... -No. I don't want money. 386 00:22:27,160 --> 00:22:29,720 Look, I'm serious. It's what I want to do. 387 00:22:29,800 --> 00:22:33,200 -You don't know how this world works! -I know I don't. 388 00:22:33,280 --> 00:22:34,960 I know that. That's why I'm here. 389 00:22:35,040 --> 00:22:38,160 This is impossible. This can't happen. Surely you can see that. 390 00:22:38,240 --> 00:22:40,560 -Why not? -It's my life we're talking about here. 391 00:22:40,640 --> 00:22:42,080 That's what you're talking about. 392 00:22:42,160 --> 00:22:43,800 -What? -It's my life, too. 393 00:22:44,360 --> 00:22:47,000 -If you care about that at all. -Look. Um... 394 00:22:47,080 --> 00:22:49,800 If it has to be other companies, I will ask around, 395 00:22:49,880 --> 00:22:51,280 I will do my best, really. 396 00:22:52,520 --> 00:22:55,520 Um... In the meantime... 397 00:22:55,600 --> 00:22:57,320 -Fuck! -What? 398 00:22:57,400 --> 00:23:00,480 I don't know the combination. It only opens on the other side. 399 00:23:00,560 --> 00:23:01,840 Oh. Right. 400 00:23:02,080 --> 00:23:04,040 We'll have to go right down the stairs. 401 00:23:04,120 --> 00:23:05,920 -Okay. -No, no. 402 00:23:06,560 --> 00:23:08,600 -Separately. -Oh, right. 403 00:23:09,000 --> 00:23:09,960 Look... 404 00:23:11,400 --> 00:23:14,360 It's out of the question, this whole thing. 405 00:23:16,080 --> 00:23:17,720 I'm really sorry. 406 00:23:26,520 --> 00:23:29,320 I've already left messages. Lots of them. 407 00:23:29,400 --> 00:23:31,320 -I'll leave a different one. -What? 408 00:23:31,400 --> 00:23:34,240 Hey, Dan. It's Zoe. I've got Kelly here for you in reception. 409 00:23:34,320 --> 00:23:36,160 His jacket's hanging up in his office. 410 00:23:36,280 --> 00:23:38,240 I'm gonna sit here and wait till he gets back. 411 00:23:38,360 --> 00:23:39,520 Your jacket's in your office. 412 00:23:39,600 --> 00:23:41,840 She's going to sit here and wait till you get back. 413 00:23:41,920 --> 00:23:43,000 Okay, bye. 414 00:23:59,200 --> 00:24:01,520 Sure, sure, sure, Orlando. No, it so is. 415 00:24:02,760 --> 00:24:04,480 You so have. 416 00:24:05,880 --> 00:24:07,040 No, I so will. 417 00:24:07,200 --> 00:24:08,320 Okay, bye. 418 00:24:08,760 --> 00:24:10,360 Bye. Buh-bye. Bye. 419 00:24:10,440 --> 00:24:12,600 Bye-bye-bye. Bye. Bye. Bye. 420 00:24:13,480 --> 00:24:15,080 So, is that Orlando Bloom? 421 00:24:15,160 --> 00:24:16,600 I shouldn't say this. 422 00:24:16,680 --> 00:24:19,040 Sometimes I phone him just to hear him say my name. 423 00:24:19,560 --> 00:24:22,600 So, I think I've just seen Kelly Macdonald. 424 00:24:22,680 --> 00:24:24,640 -Who? -Kelly Macdonald. 425 00:24:24,720 --> 00:24:26,400 -Kelly Macdonald? - Yes. 426 00:24:26,560 --> 00:24:28,320 -Where? -Waiting in reception. 427 00:24:31,280 --> 00:24:32,320 Is that possible? 428 00:24:45,480 --> 00:24:47,960 Okay, so, call me when you get this. 429 00:24:48,040 --> 00:24:51,200 Dan, call me now, okay? Because she is here. Okay? 430 00:24:51,280 --> 00:24:53,800 So just, like, just pick up and call me. Now. 431 00:24:54,560 --> 00:24:55,800 Okay. Bye. 432 00:24:56,960 --> 00:24:59,400 -What's happening? -He's not picking up. So typical. 433 00:24:59,480 --> 00:25:00,360 So, what? 434 00:25:00,440 --> 00:25:03,040 -Kelly was going to be Birdwoman, right? -Wow! 435 00:25:03,120 --> 00:25:05,080 -I know, like, super-huge. -Cool! 436 00:25:05,160 --> 00:25:07,880 Yes. But then, they decided she's too old. 437 00:25:07,960 --> 00:25:09,720 -Too old? -I know. Like, poor Kelly. 438 00:25:09,800 --> 00:25:12,080 -That's crazy! -I know! She's so gorgeous! 439 00:25:12,160 --> 00:25:14,920 Now it's like, nobody knows what to say to her anymore. 440 00:25:15,360 --> 00:25:16,440 Right. Okay. 441 00:25:16,520 --> 00:25:20,000 And he's her agent. I'm just a poor bloody assistant. 442 00:25:20,080 --> 00:25:21,440 So, what are you going to do? 443 00:25:21,520 --> 00:25:23,800 I think I'm just gonna stay up here for a bit. 444 00:25:23,880 --> 00:25:24,920 Right. Okay. 445 00:25:25,320 --> 00:25:27,480 -It's okay. I'm not gonna jump. -No. 446 00:25:47,920 --> 00:25:48,920 Hi. 447 00:25:49,280 --> 00:25:51,720 I don't suppose you know where Dan is, do you? 448 00:25:51,800 --> 00:25:53,320 -Dan? -Or Ollie even. 449 00:25:53,400 --> 00:25:56,080 -I'm waiting for him to get back. -Yeah. I don't know. 450 00:25:56,200 --> 00:25:57,840 -No. -I'm sorry. 451 00:25:58,480 --> 00:26:00,720 I mean, would you like a cup of tea, or something? 452 00:26:01,880 --> 00:26:04,200 I'm Misha. I'm Rebecca's new assistant. 453 00:26:04,840 --> 00:26:06,840 I'd love a cup of tea, Misha. 454 00:26:06,920 --> 00:26:08,560 Okay. Cool. 455 00:26:08,640 --> 00:26:09,920 Yeah, just down here. 456 00:26:11,800 --> 00:26:13,880 My agent's not returning my calls 457 00:26:13,960 --> 00:26:16,840 and in the meantime, everyone's being really weird with me. 458 00:26:17,440 --> 00:26:19,160 You're the first person to act normally. 459 00:26:20,280 --> 00:26:22,840 -Erm, I'm guessing you don't take sugar? -No. 460 00:26:23,360 --> 00:26:24,920 That's great. 461 00:26:25,360 --> 00:26:26,880 Thank you. 462 00:26:29,560 --> 00:26:32,440 It must be really tough though, as a woman, I mean. 463 00:26:32,520 --> 00:26:34,200 Yeah. What must? 464 00:26:34,280 --> 00:26:37,200 I mean, Sylvester Stallone's, like, 70 or something. 465 00:26:37,280 --> 00:26:39,840 Eighty. But of course, he's a man. 466 00:26:42,280 --> 00:26:44,920 Not that you're 80. Obviously. 467 00:26:47,040 --> 00:26:48,520 Or what about Daniel Craig? 468 00:26:49,040 --> 00:26:50,680 He's like, 50, whatever. 469 00:26:50,760 --> 00:26:53,320 No one says he's too old to be the next James Bond. 470 00:26:55,720 --> 00:27:00,160 Although, he has actually retired from that now, so... 471 00:28:02,360 --> 00:28:04,160 -Hi, Kelly. -Hi. 472 00:28:04,240 --> 00:28:06,320 Uh, how are you? I've been... I was... 473 00:28:06,400 --> 00:28:08,760 Have a seat. Can I get you a coffee or... 474 00:28:08,840 --> 00:28:10,800 -What's happening with Birdwoman? -Yes. 475 00:28:10,880 --> 00:28:12,920 'Cause I've been worried. It's all gone quiet. 476 00:28:13,000 --> 00:28:15,360 -I was gonna call you. It's been busy. -Clearly. 477 00:28:15,480 --> 00:28:18,840 This has nothing to do with you, okay? They love you. 478 00:28:18,920 --> 00:28:21,000 -What isn't? -They're like, "We love Kelly, 479 00:28:21,120 --> 00:28:23,120 "she's brilliant, but the truth is..." 480 00:28:23,200 --> 00:28:26,560 The truth is, they've decided they wanted to go with 481 00:28:26,720 --> 00:28:29,240 diversity casting after all. 482 00:28:29,400 --> 00:28:31,400 -Diversity casting. -I know. 483 00:28:31,480 --> 00:28:34,320 I know. And I'm like, "Fine. Okay. That's great." 484 00:28:34,440 --> 00:28:37,080 It's wonderful actually, but it's like, "You couldn't be honest with us?" 485 00:28:37,200 --> 00:28:38,920 -Honest? -'Cause that's the very least 486 00:28:39,000 --> 00:28:40,640 you can expect in any kind of... 487 00:28:55,080 --> 00:28:56,200 Okay, who did it? 488 00:28:57,160 --> 00:28:58,280 Who did it? 489 00:29:00,120 --> 00:29:01,400 Who told Kelly? 490 00:29:02,400 --> 00:29:03,800 Hmm? Who? 491 00:29:35,760 --> 00:29:37,760 -Morning! -Yep. Good morning. 492 00:29:38,920 --> 00:29:40,480 Thank you. 493 00:29:47,960 --> 00:29:49,280 So, I'm Misha. 494 00:29:49,360 --> 00:29:51,680 -Misha. -I'm Rebecca's new assistant. 495 00:29:51,760 --> 00:29:54,040 -Ah. Yes, very good. -Very much a trial thing. 496 00:29:54,120 --> 00:29:54,960 Yes. 497 00:29:55,400 --> 00:29:57,400 -Yes, well, I'm Richard. -Yes. 498 00:29:58,400 --> 00:30:01,480 Welcome to Nightingale Hart. I hope you'll be very happy here. 499 00:30:01,560 --> 00:30:02,680 Thank you. 500 00:30:04,440 --> 00:30:05,840 Would you like a mint? 501 00:30:05,920 --> 00:30:07,040 Oh. 502 00:30:07,520 --> 00:30:10,080 -I always keep some about me. -Thank you. 503 00:30:10,160 --> 00:30:12,080 Just in case something good happens. 504 00:30:12,160 --> 00:30:14,160 -'Cause you never know, do you? -No. 505 00:30:14,240 --> 00:30:16,440 -Jono? -Yeah, I'm good. Thanks, Dad. 506 00:30:22,160 --> 00:30:25,360 Hi, this is Kelly. Leave a message after the tone. 507 00:30:26,920 --> 00:30:28,720 Uh, hi. It's me again. 508 00:30:28,800 --> 00:30:31,720 I know you're not returning my messages, I get that. 509 00:30:31,800 --> 00:30:33,640 But, um, I'm gonna keep calling you. 510 00:30:33,800 --> 00:30:35,720 I mean, if that's okay with you. 511 00:30:35,800 --> 00:30:39,160 I'm not gonna give up. 'Cause I know that if we could just... 512 00:30:53,600 --> 00:30:56,280 It's a treat for us to have you in the office. 513 00:30:56,360 --> 00:30:58,440 I've booked a car for 5:30 tomorrow 514 00:30:58,520 --> 00:31:00,480 to take you directly from here to the Dorchester. 515 00:31:00,560 --> 00:31:01,800 -From here? -Yep. 516 00:31:01,920 --> 00:31:04,040 I said to Charlotte we'd go together. 517 00:31:04,360 --> 00:31:06,120 -Together? -Yeah. 518 00:31:06,200 --> 00:31:07,960 -Right. Okay. -So if you could... 519 00:31:08,040 --> 00:31:09,720 Fuck, is that Kelly Macdonald? 520 00:31:10,880 --> 00:31:11,880 Yes, it is. 521 00:31:11,960 --> 00:31:13,440 What the fuck is he doing? 522 00:31:15,600 --> 00:31:17,680 -Wow! 523 00:31:17,880 --> 00:31:19,800 -Chocolates. -Darling girl, it's nothing. 524 00:31:19,880 --> 00:31:21,720 Lovely. Thank you. 525 00:31:21,800 --> 00:31:24,640 I was so sorry to hear about this whole beastly business. 526 00:31:25,840 --> 00:31:27,240 -Hi. -Ah. Now. 527 00:31:27,320 --> 00:31:28,160 Kelly, hi. 528 00:31:28,880 --> 00:31:29,800 Hi. 529 00:31:29,880 --> 00:31:32,320 Lovely to see you. Thanks so much for coming in. 530 00:31:32,400 --> 00:31:35,160 -Well, Richard called me so... -Of course. Great. 531 00:31:35,240 --> 00:31:37,840 I had a chat with Nick Soans at Working Title... 532 00:31:37,920 --> 00:31:40,240 Yeah, I've been in touch with Nick, too. 533 00:31:40,320 --> 00:31:42,880 Yes, poor chap. He's quite beside himself. 534 00:31:42,960 --> 00:31:46,480 Sorry, Dad. Do you just... One minute? 535 00:31:53,240 --> 00:31:55,040 There. That's better. 536 00:31:56,440 --> 00:31:57,360 Um... 537 00:31:58,040 --> 00:31:59,600 -Right. -Poor Dan. 538 00:31:59,920 --> 00:32:02,480 -Poor Dan? -He's such a sweetheart. 539 00:32:03,360 --> 00:32:06,520 What's so hurtful is he didn't have the honesty to tell me. 540 00:32:06,600 --> 00:32:09,280 I had to find out from some intern that makes the tea. 541 00:32:09,360 --> 00:32:10,200 Right. 542 00:32:10,320 --> 00:32:13,120 So, I talked with Nick and he's talked with Jay. 543 00:32:13,240 --> 00:32:16,000 He's really quite desperate to make this thing work. 544 00:32:16,080 --> 00:32:18,120 -That's if you want to meet them. -Meet them? 545 00:32:18,240 --> 00:32:20,760 -You might not want to do that. -Why would I want to meet them? 546 00:32:20,840 --> 00:32:23,600 -It's entirely up to you. -What is there to even talk about? 547 00:32:23,680 --> 00:32:25,600 Maybe it's important to say here, 548 00:32:25,680 --> 00:32:28,520 this is one of the biggest things that's ever happened to you. 549 00:32:28,640 --> 00:32:32,040 And, as Richard says, it's up to you. It's just an option. 550 00:32:32,120 --> 00:32:34,800 -When do they want to meet anyway? -That's up to you. 551 00:32:34,880 --> 00:32:36,840 They really ought to be here, actually. 552 00:32:37,040 --> 00:32:38,040 -What? -What? 553 00:32:38,120 --> 00:32:40,280 -I might just ask Julia. -Dad. 554 00:32:40,560 --> 00:32:42,680 What, now? You asked them here today? 555 00:32:42,760 --> 00:32:45,440 Really. I'm very mindful, Kelly. 556 00:32:45,520 --> 00:32:47,960 You don't have to stay, obviously, of course not. 557 00:32:48,040 --> 00:32:50,880 But if you were going to come in, I didn't want to waste your time. 558 00:32:53,560 --> 00:32:55,560 I did some asking around and apparently, 559 00:32:55,680 --> 00:32:58,000 Margaux Martorana really is difficult to get hold of. 560 00:32:58,200 --> 00:33:00,960 -Jesus Christ, don't you start as well. -She's famous for it. 561 00:33:01,080 --> 00:33:03,400 -Well, duh. -One thing I did manage to find out 562 00:33:03,480 --> 00:33:07,960 is that she's presenting an award at the Royal Television Society Awards. 563 00:33:08,040 --> 00:33:10,560 -The RTS? -For best factual documentary. 564 00:33:10,640 --> 00:33:12,520 It hasn't been announced yet. 565 00:33:12,600 --> 00:33:15,120 -That's great. We get a ticket to the RTS. -Yes. 566 00:33:15,200 --> 00:33:17,400 No. It's perfect. What? 567 00:33:17,480 --> 00:33:19,760 -What? -So, I checked with RTS 568 00:33:19,840 --> 00:33:21,840 and the Nightingale Hart ticket is already gone this year. 569 00:33:21,920 --> 00:33:23,080 -What? -So, uh... 570 00:33:23,160 --> 00:33:24,800 -What do you mean, gone? -Well... 571 00:33:26,280 --> 00:33:28,080 -Jonathan. -Well, yes. 572 00:33:28,160 --> 00:33:29,960 Fuck. 573 00:33:31,480 --> 00:33:33,520 -Yes, so, anyway... -Typical. 574 00:33:33,600 --> 00:33:35,680 No, without telling anyone, as usual. 575 00:33:35,760 --> 00:33:38,080 -Is there anything else I can get you? -Like what? 576 00:33:38,440 --> 00:33:40,240 Like, another coffee or something? 577 00:33:40,320 --> 00:33:42,480 -You can get me that fucking ticket. -Right. 578 00:33:43,680 --> 00:33:46,080 -So how do I do that? -How do I know? 579 00:33:46,160 --> 00:33:48,000 Who's the one auditioning for the job here? 580 00:33:48,480 --> 00:33:49,800 Right. Yes. 581 00:33:54,280 --> 00:33:55,280 -Hey, Dan. -Nick! 582 00:33:55,360 --> 00:33:57,000 Nick. -Richard. 583 00:33:57,080 --> 00:33:59,200 The mighty Soans, dear boy, how are you? 584 00:33:59,280 --> 00:34:01,000 I'm good, thank you. 585 00:34:01,080 --> 00:34:03,160 -Thanks for coming in. - Not at all. 586 00:34:03,240 --> 00:34:05,480 -And, Jay, you know. I think. -He sure does. 587 00:34:05,560 --> 00:34:08,000 Jay, the great man himself. Here in the flesh. 588 00:34:08,160 --> 00:34:10,200 -Great to be here. -Hi, Jay. It's me... 589 00:34:10,280 --> 00:34:12,080 -Great to see you. - Hey, Jonathan. 590 00:34:12,160 --> 00:34:14,320 -Hi, Jay, Jonathan Nightingale. -Hey, Jonathan. 591 00:34:14,400 --> 00:34:17,600 There's someone in here I think you both know. 592 00:34:17,640 --> 00:34:20,360 Hey, Kelly. - Hi, there. Nice to see you. 593 00:34:20,840 --> 00:34:23,160 -How are you? - All right. Take a seat. 594 00:34:26,760 --> 00:34:28,920 Hello, Jonathan's office, Julia speaking. 595 00:34:30,200 --> 00:34:31,640 Yes, that's right, the ticket. Yep. 596 00:34:33,000 --> 00:34:35,600 And for the party afterwards as well, yep. 597 00:34:35,640 --> 00:34:38,280 And no, his home address, please. 598 00:34:38,560 --> 00:34:41,200 Yes, I know, but he'd like them to be sent to his home address. 599 00:34:42,480 --> 00:34:45,160 I know. So there'll be someone there to sign for it tomorrow morning. 600 00:34:46,160 --> 00:34:47,520 Yes, there will be. 601 00:34:49,040 --> 00:34:51,360 Because I'm his PA and I have a relationship with his cleaner. 602 00:34:52,680 --> 00:34:56,680 Yes, One-sixty, The Green, TW Nine, 603 00:34:56,800 --> 00:35:00,000 One, NQ, that's TW... 604 00:35:00,080 --> 00:35:02,160 Yeah, thank you, bye. 605 00:35:04,360 --> 00:35:06,880 How dare they! - Darling girl. 606 00:35:06,960 --> 00:35:08,160 I mean, how rude. 607 00:35:08,200 --> 00:35:10,320 -Apart from anything else. -Unspeakable. 608 00:35:10,400 --> 00:35:11,600 Well, clearly. 609 00:35:11,640 --> 00:35:14,080 They didn't even have the guts to say it. 610 00:35:14,160 --> 00:35:17,080 As if I'd ever think about having work done to get a part. 611 00:35:17,160 --> 00:35:19,920 -This is the trouble with Americans. -Let's just take a breath here, shall we? 612 00:35:20,000 --> 00:35:21,200 -Excuse me. - 613 00:35:21,320 --> 00:35:22,400 What's the point in that? 614 00:35:22,800 --> 00:35:25,040 -Kelly, would you forgive me if I just... -Of course. 615 00:35:25,120 --> 00:35:26,440 I do apologize. 616 00:35:27,000 --> 00:35:30,080 Tracey. How are you? Good. Good. 617 00:35:31,000 --> 00:35:34,200 Oh, you know, not too bad, all things considered. 618 00:35:34,600 --> 00:35:38,600 -We keep buggering on, don't we? -Shall we step into my office? 619 00:35:41,200 --> 00:35:43,560 Yes. Simon Gould. 620 00:35:43,640 --> 00:35:45,840 Thank you so much for meeting him. 621 00:35:45,920 --> 00:35:48,160 I'm aware of how much of a long shot... 622 00:35:49,320 --> 00:35:50,440 Right. 623 00:35:51,600 --> 00:35:52,880 Oh, goodness. 624 00:35:55,640 --> 00:35:58,920 Well, gosh! That is good news! 625 00:35:59,000 --> 00:36:00,600 He'll be thrilled. 626 00:36:02,640 --> 00:36:04,600 Good. Very well, thank you. 627 00:36:04,640 --> 00:36:07,560 The good thing is, you're the one in control now. 628 00:36:07,680 --> 00:36:10,160 In what world am I the one in control? 629 00:36:10,320 --> 00:36:12,480 You came in, heard what they had to say. 630 00:36:12,560 --> 00:36:14,840 Thank God I did in the end. Thank God for Richard. 631 00:36:14,960 --> 00:36:17,920 Yes. Exactly. You're the one making the choices. 632 00:36:18,040 --> 00:36:19,120 What choices? 633 00:36:19,200 --> 00:36:20,960 Jonathan, what are you talking about? 634 00:36:21,920 --> 00:36:23,440 I can't remember. 635 00:36:23,520 --> 00:36:26,320 Have you met Charlotte? My wife, Charlotte? 636 00:36:26,800 --> 00:36:28,160 -Yeah, I... -Right. 637 00:36:28,280 --> 00:36:31,520 -We met at that BAFTA party last year. -Of course, yes. 638 00:36:31,880 --> 00:36:34,360 -She's lovely. -She is, yes, thank you. 639 00:36:34,760 --> 00:36:37,040 She's quite a bit older than you, obviously. 640 00:36:39,360 --> 00:36:40,440 So, I mean... 641 00:36:40,520 --> 00:36:43,560 I think I just feel duty bound really, to give you this. 642 00:36:46,560 --> 00:36:47,600 What is it? 643 00:36:48,040 --> 00:36:52,040 If you went to see a guy like this, where you come out looking like... 644 00:36:52,120 --> 00:36:54,640 Melanie Griffith, whatever you looked like going in. 645 00:36:54,880 --> 00:36:57,680 -Wait. Are you... -Yeah, no, I'm not suggesting anything. 646 00:36:57,800 --> 00:37:01,160 Um, but this guy, it is like he has a secret power 647 00:37:01,280 --> 00:37:04,440 flowing through him, you really do come back looking... 648 00:37:04,520 --> 00:37:05,640 Like you. 649 00:37:07,360 --> 00:37:10,920 Look. I know what the deal is, okay? 650 00:37:11,000 --> 00:37:13,880 But this is a fork in the road for me. 651 00:37:13,960 --> 00:37:17,320 -Yeah. -I'm mostly comfortable with who I am. 652 00:37:17,400 --> 00:37:20,680 I know too many people who aren't. And I know where that ends up. 653 00:37:20,840 --> 00:37:21,760 Yeah. 654 00:37:21,840 --> 00:37:24,040 -I mean, not your wife, obviously. -No. 655 00:37:24,120 --> 00:37:25,880 Okay, well, great. That's great. 656 00:37:26,000 --> 00:37:28,000 Um, just to say, you know, 657 00:37:28,080 --> 00:37:30,160 we'll support you whatever you choose to do. 658 00:37:30,880 --> 00:37:34,200 Forget Birdwoman, forget money, 659 00:37:34,320 --> 00:37:36,960 career, awards, forget all that. 660 00:37:37,960 --> 00:37:42,200 Yeah, everyone has their defining moment. 661 00:37:42,640 --> 00:37:45,000 I just wanna make sure you're holding all the cards. 662 00:37:54,840 --> 00:37:56,440 Darling man, how are you? 663 00:37:57,640 --> 00:37:59,320 Oh, yes, you know, not so bad. 664 00:38:00,120 --> 00:38:03,600 I just bought some rather splendid looking apples since you asked, so, 665 00:38:04,520 --> 00:38:05,920 can't be all bad. 666 00:38:06,640 --> 00:38:07,840 Oh, right. 667 00:38:12,200 --> 00:38:13,320 What? 668 00:38:14,640 --> 00:38:16,920 As I said, I'm very pleased for you. 669 00:38:17,640 --> 00:38:21,400 Anyways, Simon, congratulations. God bless. 670 00:39:26,160 --> 00:39:27,160 Kelly. 671 00:39:29,320 --> 00:39:30,800 -Kelly. 672 00:39:31,800 --> 00:39:32,840 Kelly. 673 00:39:33,280 --> 00:39:34,880 Kelly, please. 674 00:39:41,400 --> 00:39:42,560 Please. 675 00:39:46,320 --> 00:39:47,440 It's been horrible. 676 00:39:48,640 --> 00:39:49,520 Yeah. 677 00:39:49,600 --> 00:39:52,360 -Well, you started it. -I haven't been able to sleep. 678 00:39:52,480 --> 00:39:55,640 I know. I nearly called you at four o'clock this morning. 679 00:39:55,760 --> 00:39:57,000 You should have. Why didn't you? 680 00:39:58,000 --> 00:40:00,880 Felt a bit late. Or early. 681 00:40:07,080 --> 00:40:10,040 I talked to Jonathan. Made him tell me. 682 00:40:11,760 --> 00:40:13,080 You're not gonna do it. 683 00:40:13,960 --> 00:40:17,320 I've said I'll go for a consultation. That's all. 684 00:40:17,640 --> 00:40:20,320 You don't have to, you know. If you don't want to. 685 00:40:20,960 --> 00:40:22,600 You don't have to do it. 686 00:40:25,160 --> 00:40:28,320 -Will you come with me? -Yes, of course. 687 00:40:38,120 --> 00:40:39,560 -Hi. - Morning. 688 00:40:41,160 --> 00:40:42,120 Um... 689 00:40:42,160 --> 00:40:47,160 So, the messages I sent to you about the RTS. 690 00:40:47,280 --> 00:40:49,760 Sorry, it gets away from me a bit, I'm afraid. 691 00:40:49,880 --> 00:40:51,640 Yeah. So, anyway. 692 00:40:52,200 --> 00:40:53,840 Okay. What's this about? 693 00:40:53,920 --> 00:40:55,480 Okay. 694 00:40:55,840 --> 00:40:59,400 I don't think it's appropriate that you take the Nightingale Hart ticket 695 00:40:59,480 --> 00:41:02,160 to a major awards ceremony without consulting anyone first. 696 00:41:02,320 --> 00:41:03,160 Appropriate? 697 00:41:03,280 --> 00:41:05,080 I'd really like to be at that event this year. 698 00:41:05,160 --> 00:41:07,800 I don't know what gives you the idea I'm going to that event. 699 00:41:07,920 --> 00:41:09,280 This is all theoretical. 700 00:41:09,360 --> 00:41:12,160 -It's not theoretical. -I'm putting that to one side. 701 00:41:12,280 --> 00:41:15,160 I wasn't aware that I needed your permission to run my life. 702 00:41:15,200 --> 00:41:16,960 I happen to know that you've taken the ticket. 703 00:41:17,560 --> 00:41:19,080 You're accusing me of lying. 704 00:41:19,160 --> 00:41:20,840 There are some advantages to having 705 00:41:20,920 --> 00:41:22,800 a new assistant who's keen to prove herself. 706 00:41:25,040 --> 00:41:28,440 Well... Well, if she's so keen to prove herself, 707 00:41:28,560 --> 00:41:31,840 perhaps you should encourage her to work on her diplomacy skills first. 708 00:41:31,920 --> 00:41:33,520 What's that supposed to mean? 709 00:41:33,600 --> 00:41:36,760 I think it's not great having junior assistants 710 00:41:37,000 --> 00:41:39,800 running around telling key clients they're too old for major film roles. 711 00:41:40,600 --> 00:41:43,960 From where I'm standing, that's not good for anyone. 712 00:41:47,400 --> 00:41:49,080 My mother was an actress when she was younger. 713 00:41:49,160 --> 00:41:50,400 -No way. -She was in a few things, 714 00:41:50,480 --> 00:41:51,640 but she never really made it. 715 00:41:51,760 --> 00:41:54,520 -Oh. Oh, no. So, what about your dad? -My dad? 716 00:41:55,160 --> 00:41:57,840 No, he's... I mean, he's... 717 00:41:57,920 --> 00:41:59,800 -Hi. -Hi. 718 00:42:00,160 --> 00:42:02,040 Misha, this isn't gonna work out. 719 00:42:45,680 --> 00:42:47,280 -Hey. -Hi. 720 00:42:47,360 --> 00:42:49,800 It was really nice knowing you. 721 00:42:49,880 --> 00:42:51,640 -You too. -And maybe we'll meet again. 722 00:42:51,680 --> 00:42:52,640 Yeah, maybe. 723 00:42:56,760 --> 00:42:59,800 Also... The phone charger I lent you. 724 00:42:59,880 --> 00:43:02,600 -Yes. -Sorry. It's just, you know. 725 00:43:04,120 --> 00:43:05,200 Thanks. 726 00:43:05,640 --> 00:43:07,560 -I'll miss you, Misha. -Yes. 727 00:43:07,640 --> 00:43:09,160 -Sad face. -Me too. 728 00:43:09,320 --> 00:43:10,280 Thanks. 729 00:43:42,360 --> 00:43:43,800 -Okay. -Well... 730 00:43:45,120 --> 00:43:47,680 -Tell me I'm doing the right thing. -I mean... 731 00:43:47,760 --> 00:43:49,800 No, don't do that. Just tell me. 732 00:43:50,320 --> 00:43:51,400 Okay. 733 00:43:51,480 --> 00:43:54,800 -Dan, it's really important. -You're doing the right thing. 734 00:43:54,880 --> 00:43:56,080 -Am I? -Yes. 735 00:43:56,160 --> 00:43:58,080 -Lots of people do this, don't they? -Yes. 736 00:43:58,640 --> 00:44:00,040 Yeah. 737 00:44:00,120 --> 00:44:02,040 Okay. Thank you. 738 00:44:35,040 --> 00:44:36,600 "But beyond that, over the years, 739 00:44:36,680 --> 00:44:39,640 "and through good times and bad times, for me, 740 00:44:39,720 --> 00:44:41,680 "for all of us at Nightingale Hart, 741 00:44:41,760 --> 00:44:44,640 "and I know for many of us in the room tonight, 742 00:44:44,720 --> 00:44:46,360 "Richard has just been there. 743 00:44:46,520 --> 00:44:49,640 "A fixed point in an uncertain world, 744 00:44:50,120 --> 00:44:52,840 "a touchstone of decency and fairness, 745 00:44:52,920 --> 00:44:55,760 "the place you go to when you most need a place to go. 746 00:44:56,680 --> 00:45:00,200 "We're lucky to know him and have him in our lives. 747 00:45:00,440 --> 00:45:04,520 "So, Richard, congratulations, this is your night. 748 00:45:04,600 --> 00:45:08,400 "But more than that, more than anything, thank you." 749 00:45:11,320 --> 00:45:13,440 I mean, I don't know. What do you think? 750 00:45:13,720 --> 00:45:16,480 -Too much? -No, it's fine. 751 00:45:47,240 --> 00:45:48,560 Oh, hi. 752 00:45:48,760 --> 00:45:50,920 Uh, Jonathan Nightingale? -Yes. Sure, yes. 753 00:45:51,000 --> 00:45:52,400 -I'll take that. Thanks. -Great. 754 00:45:56,480 --> 00:45:58,680 -Sorry, rubbish writing. -No worries. 755 00:45:58,760 --> 00:46:00,320 -Okay, that's great. Bye. -Cheers, bye. 756 00:46:27,880 --> 00:46:28,720 Oh. 757 00:46:29,000 --> 00:46:30,680 -Hey. -You're still here? 758 00:46:30,760 --> 00:46:31,960 Of course I am. 759 00:46:43,280 --> 00:46:45,720 -Wow. Cool make up. -Wasn't for me. 760 00:46:45,920 --> 00:46:47,120 I knew you wouldn't do it. 761 00:46:47,560 --> 00:46:50,600 Listen. I've been thinking. 762 00:46:51,880 --> 00:46:54,200 How would you feel about being my agent? 763 00:46:54,280 --> 00:46:56,400 I don't know. I'll think about it. 764 00:47:03,520 --> 00:47:06,720 -Where are we going now? -I don't know. Who cares? 765 00:47:07,880 --> 00:47:09,040 Come on. 766 00:47:20,640 --> 00:47:21,920 Beep, beep. 767 00:47:30,200 --> 00:47:31,600 Hello, Nightingale Hart. 768 00:47:32,280 --> 00:47:34,280 Sorry, he's in a meeting. 769 00:48:42,280 --> 00:48:45,480 -Oh. Hi. -Your front door was open. 770 00:48:45,560 --> 00:48:46,600 Right. 771 00:48:46,680 --> 00:48:48,280 You're not answering your phone. 772 00:48:48,360 --> 00:48:49,880 -I turned it off. -Why? 773 00:48:49,960 --> 00:48:51,040 -Why? -Yeah. 774 00:48:51,120 --> 00:48:53,040 I'm packing, I'm going back to Edinburgh. 775 00:48:53,200 --> 00:48:55,640 -But what about me? -What... 776 00:48:55,720 --> 00:48:59,200 You passed the audition. I mean, there's a hell of a lot to do. 777 00:49:01,040 --> 00:49:02,480 Oh. Uh... 778 00:49:03,280 --> 00:49:06,440 Sorry, it's just, I really want this. 779 00:49:07,120 --> 00:49:08,320 Thank you. 780 00:49:08,400 --> 00:49:09,840 I'm not gonna let you down. 781 00:49:09,920 --> 00:49:11,360 No. You're not. 782 00:49:25,360 --> 00:49:28,680 -Where is everybody? -Julia, it'll be fine. Relax. 783 00:49:28,760 --> 00:49:30,240 I said 6:00 in the email. 784 00:49:30,320 --> 00:49:32,400 -Here's Jonathan anyway. -Where? 785 00:49:32,480 --> 00:49:35,520 -And Charlotte. -Yes, and Charlotte. Yes, Charlotte. 786 00:49:35,600 --> 00:49:37,080 -Hi. -Hi. 787 00:49:37,160 --> 00:49:38,000 Yes, hi, yes. 788 00:49:38,080 --> 00:49:39,440 Hello, Charlotte. -Hi. 789 00:49:39,520 --> 00:49:40,560 -You look fabulous. -Yes. 790 00:49:40,640 --> 00:49:43,000 Hello, Julia. -Hello, yes, you look fabulous. 791 00:49:43,080 --> 00:49:45,720 -Everything okay? -Yes, fine. I've got the champagne. 792 00:49:45,800 --> 00:49:47,320 -No sign of Dad yet then? -No. 793 00:49:47,400 --> 00:49:48,680 No, of course not. See? 794 00:49:48,800 --> 00:49:51,320 -I told you, it'd be fun. -He's probably stuck in traffic. 795 00:49:51,400 --> 00:49:53,440 -Yeah. -Yes. At Nightingale Hart's expense. 796 00:49:53,560 --> 00:49:56,000 -Well, it is his night after all. -Yes. 797 00:49:56,120 --> 00:49:57,640 Hey, funsters. -Oh, hey. 798 00:49:57,720 --> 00:49:59,680 -Sorry if we're a bit late. -You're fine. 799 00:49:59,760 --> 00:50:02,400 -Hi, Charlotte. You look fabulous. -Yes, she does. 800 00:50:02,920 --> 00:50:04,560 -No sign of Richard then? -No, not yet. 801 00:50:04,640 --> 00:50:06,320 -Probably stuck in traffic. -We've done that. 802 00:50:06,400 --> 00:50:07,480 -Yes. -Right. 803 00:50:07,560 --> 00:50:10,240 As I say, it is his night, but even by his standards... 804 00:50:10,320 --> 00:50:12,720 -That's a hint. Here we go. 805 00:50:12,800 --> 00:50:13,960 Hi, Mum. How's it going? 806 00:50:14,040 --> 00:50:16,320 -We could open the champagne. -Yes. 807 00:50:16,400 --> 00:50:18,640 -Steaming by the time he gets here. - Yes. 808 00:50:19,600 --> 00:50:21,840 What? No. 809 00:50:23,160 --> 00:50:24,280 Mum, are you okay? 810 00:50:24,960 --> 00:50:26,840 Where are you now? 811 00:50:27,080 --> 00:50:29,840 Okay. Yeah, okay. Right. You stay there. 812 00:50:30,000 --> 00:50:31,480 I'm coming, okay? 813 00:50:31,920 --> 00:50:36,160 Yeah. I'll be there as soon as I can. You just stay there, Mum. Mum? 814 00:50:36,240 --> 00:50:37,680 Yeah. Yeah. 815 00:50:37,760 --> 00:50:39,960 I'm coming, okay? Just leave your phone on. 816 00:50:40,720 --> 00:50:41,920 Yeah, I'll be there. 817 00:50:52,200 --> 00:50:54,800 Uh... So, he's had a heart attack. 818 00:50:54,880 --> 00:50:56,240 -Oh, God. -No. 819 00:50:56,320 --> 00:50:57,280 Jesus. 820 00:50:57,360 --> 00:50:58,240 No. Where is he? 821 00:50:59,560 --> 00:51:01,320 Uh, no, no. He's dead.